2025, Dear Dave Magazine, (review) David Alekhuogie: “highlifetime” at Yancey Richardson Gallery, New York

2025, Ocula, (review) Raque Ford’s Aesthetics of the Aftermath

2025, The British Journal of Photography, (essay) “Anticipatory obedience”: The precarious state of photography for the trans community in the United States

2025, Spill 180, Beans Vol. 3, (review) Dana Karwas’ Thirty Six Point Eight Hours

2025, Dear Dave Magazine, (review) MUNGO THOMSON: “TIME LIFE AND A UNIVERSAL PICTURE” AT KARMA GALLERY, NEW YORK

2025, Hunna Art, (interview) ELSEWHERE: A CONVERSATION WITH EMAN ALI AND DANIELLE EZZO

2024, Fotodemic, (review) Amnesia in the Land of Hypermemory

2023, Foundation for Art & Blockchain, Pindar Van Arman: Monograph, (essay) The Dance Between Agency & Control: Creative collaboration in the twenty-first century

2022, Right Click Save, (interview) Photography After the NFT: Leading photographers discuss what is changing in Web3 with Danielle Ezzo

2022, Der Greif, (blog takeover) Artifact Array, Woman of Algiers, Artifact Array, Three Views, Artifact Array, Tomb Effigy, Archeology of Loss

2022, Magnum Photos, (interview) Theater in Extremis in Cracolândia

2022, Magnum Photos, (interview) Agony in the Garden

2022, Magnum Photos, (interview) Carolyn Drake and Andres Gonzalez – Ficciones: “We are drawn to the ways identity is negotiated in the borderlands”

2022, Magnum Photos, (interview) Lorenzo Meloni: “I try to avoid images that contain easy answers and simplify the conflict”

2017, In the In-Between Magazine, (interview) Round Table Dialogue: Trompe L’oeil: The Constructed Image

2015, The New Inquiry, (essay) Past Perfecting