Danielle Ezzo is an interdisciplinary artist-writer-researcher based in Brooklyn, NY.
Her practice often begins with photography as an entry point and leans into new approaches to image-making, the shortcomings of the medium, and the slippages between innovation and understanding. She blends contemporary technological artifacts with the handmade, historical, and the personal. Ezzo's work engages processes of mediation and mistranslation, drawing out the human traces embedded within digital systems and material surfaces.
Her work has been published in the Boston Globe, The New York Times, The Tate, Lenscratch, Fisheye Magazine, and Feature Shoot and exhibited in numerous exhibitions and festivals, including the A.C. Institute, The Santa Barbara Museum of Art, The Far Eastern Museum of Art, and Currents New Media Festival. Her work is in the collections of The Watson Library at The Metropolitan Museum of Art, Decker Library at Maryland Institute College of Art, Olin Library at Cornell University, among others.
She’s lectured at conferences, companies, and universities as a visiting artist and speaker, including Princeton University, Griffin Museum, Maryland Institute College of Art, Carrot Creative, Eyebeam, and The International Center of Photography.
Bylines include Ocula, The British Journal of Photography, The New Inquiry, Magnum Photos, Dear Dave Magazine, Art Observed, Right Click Save, Fellowship Trust, and Obscura Journal. She is the author of If Not Here, The Where? published by Silent Face Projects in 2023.
Danielle graduated from Lesley University College of Art & Design in Boston in 2015 with an MFA in Photography and Integrated Media and is currently faculty at The International Center of Photography.